Developmental editing, according to Wikipedia, is a “form of writing support that comes into play before or during the production of a publishable manuscript, especially in the area of non-fiction writing.” As explained by Scott Norton in his book Developmental editing: a handbook for freelancers, authors, and publishers, developmental editing involves “significant structuring or restructuring of a manuscript’s discourse”. Developmental editors are a type of language professional.
“I don’t have time for social media!” (Some strategies so you can stop lying to yourself)
A common worry that entrepreneurs have in regards to social media is that it will become a huge time-suck; when you’re starting a business, there are a lot of balls to juggle, and a Twitter feed can definitely be the vortex into which the precious hours of the day disappear.
But managing your online presence is just as important as managing your cash flow and client/customer recruitment and retention. In fact, when social media is built into your marketing plan, it works for you in the pursuit of your goals, not against you – so make the plan and get to work! Note, though, that posting your original content isn’t enough. You need to actively participate in each platform you use (putting the social in social media!) and this is where the OMG-I-don’t-have-time-for-this anxiety starts.
In the same way that people have their own time-management strategies (we won’t judge those who don’t…we won’t judge those who don’t…), there are a few different ways to work the care and feeding of social media into your regular routine.
Everyone knows you need a campaign video to tell your initial story in a crowdfunding campaign. And most people know that many different kinds of videos can work – they can be very simple, or elaborate. They can cost next to nothing, or thousands. It all depends on your purpose, branding, project, resources and what is needed. Continue reading
So Michelangelo says to the Prince: “Whattup, Prince. It’s cool that you dig my sculptures and commission me to do one every five years or so, but I still gotta pay rent, go for brunch and pick up my art supplies in between commissions. That’s a lot o’ chedda’, and I need to make it rain!”
If only Michelangelo had a DeLorean, he could’ve taken advantage of a new philosophy of independent cultural enterprise that relies on the direct, regular and ongoing relationship between artists and their paying fans (or, as Michelangelo would’ve referred to them, patrons).